JALILA LAHMAR
Peintre
Autres oeuvres (14)
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Née
à Bizerte (Tunisie) en 1966, Bourguignonne depuis 1970, j’ai été initiée par un
père potier à travailler la terre dès mon plus jeune âge. Je façonne, sculpte
tous types de matériaux. Créer répond à un besoin de combler un vide, une
absence.
Tardivement,
je me suis intéressée à la peinture. Autodidacte, je me sens libre et
affranchie de tout carcan. La peinture est pour moi une
démarche totalement intuitive.
Je l’envisage comme un outil artistique de
« psycho - diagnostic », un voyage introspectif, un peu à la
manière d’un test de Rorschach, une décharge émotionnelle en réponse à des
stimuli visuels.
J’aime
l’abstrait parce qu’il ne souffre aucune limite. Le choix de la peinture
acrylique répond à une grande impatience. Cela n’entrave ni mon élan, ni
l’énergie libérée.
Jalila Lahmar, plastic artist Born in Bizerte (Tunisia) in 1966, Burgundian since 1970, I started working with clay very young, initiated by my father who was a potter. I shape and sculpt every type of materials. For me, creating answers a need of filling a gap, an emptiness. I went interested in painting much later. Being self-taught allows me to feel free and to work without any boundary. I see painting as a totally intuitive approach and use it as an artistic tool of "psychological diagnosis". This introspective journey, quite like a test of Rorschach, triggers an emotional discharge in response to a visual stimulus. I favour abstract art because it knows no limit. The choice of acrylic paint meets my impulsive temper. Hence it does not strangle neither my inspiration nor the energy I release.
Jalila Lahmar, plastic artist Born in Bizerte (Tunisia) in 1966, Burgundian since 1970, I started working with clay very young, initiated by my father who was a potter. I shape and sculpt every type of materials. For me, creating answers a need of filling a gap, an emptiness. I went interested in painting much later. Being self-taught allows me to feel free and to work without any boundary. I see painting as a totally intuitive approach and use it as an artistic tool of "psychological diagnosis". This introspective journey, quite like a test of Rorschach, triggers an emotional discharge in response to a visual stimulus. I favour abstract art because it knows no limit. The choice of acrylic paint meets my impulsive temper. Hence it does not strangle neither my inspiration nor the energy I release.



















